UK Sword Register No.85 (18)

 

Type: Koto tanto

 

Nagasa: 25.8 cm         Moto-haba: 2.3 cm                 Saki-haba:  1.7 cm

 

Sugata:           Kamuri-otoshi, iori-mune, slightly uchi-zori, naginata-hi with traces of another hi now polished away.

 

Jihada           Mostly mokume-hada with distinct masame near the hamon.

 

Hamon:           Suhuha in nie and rich in activities such as sunagaeshi and short kinsuji, the sunagaeshi forming uchinoke occasionally, widening towards the kissaki and forming a ko-maru boshi  with kaeri.

 

Nakago         Slightly suriage, kiri-yasurime and kiri-jiri, one mekugi-ana and signed BISHU JU MASAHIRO SAKU on the omote.

 

This tanto is of a most elegant shape, the slight uchi-zori (curvature towards the cutting edge)  giving the appearance of great antiquity. Fortunately the slight suriage has not interfered with either the mei or the overall shape of the blade. The fukura is quite long and together with the elegant sugata, gives the blade a dynamic quality and an impression of sharpness.. Both the long fukura and the relative thinness of the kasane, indicate that the date of manufacture is probably no later than the Nambokucho period. The jigane is clear and the jihada is mostly mokume, but becomes a strong masame near the hamon area. The nie-deki suguha hamon shows a number of activities that indicate an association with Yamato-den. Especially the strong masame in close proximity to the hamon (a feature known as wake-no-kitae or divided kitae) is especially indicative of the Ko-Mihara school of Bingo province.

The school was founded by Masaie Saemonjo in Bingo province in the late Kamakura or early Nambokucho period,  and his son was named Masahiro. They were both known to work in the ancient style shown in this piece and whilst Masaie’s work is rare, Masahiro’s is more plentiful. This particular piece is thought to be by the 2nd generation Masahiro.

The school continued into the early Muromachi period where it is known as the Chu-Mihara, although rthere are few extant works from this time. Towards the end of the Muromachi period, the so-called Sue-Mihara school was active. All the swordsmiths of the Mihara school included the character “Masa” in their names.

This sword was previously only discussed in written form in the To-ken Society Programme and has now been adapted for this website.

Clive Sinclaire

May 2007

 

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